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End-to-end humanities writing assistant Claude Skill — 11 modes from Socratic research-question sharpening through AI-us
A Claude Code / Claude Agent SDK skill for humanities scholars whose primary deliverable is a long-form argumentative text — history, philosophy, literature, cultural studies, art history, religious studies, classics.
📖 Wiki · 中文版 README · Skill source · English · Skill source · 中文
End-to-end writing assistant for humanities scholars — covering the full lifecycle of a humanities paper from research question to submission disclosure:
research question → literature map → planning → drafting → revision →
adversarial review → AI-trace cleanup → blind-reading check → AI-use disclosure
Built for fields where prose IS the argument — history, philosophy, literature, cultural studies, art history, religious studies, classics, intellectual history, science studies, and adjacent humanities-aligned fields.
Not a polishing tool. Not a citation manager. Not a research pipeline. A thinking partner that stays with you across the whole arc.
| Stage | Modes |
|---|---|
| Pre-writing | Mode H · Research-question sharpening · Mode I · Literature mapping · Mode J · Plan-only outlining |
| Drafting | Mode C · Conception → new content · Mode A · Paragraph dialogue |
| Review | Mode B · Chapter review (4-layer critique) · Mode D · Devil's advocate (calibratable 1–5 + methodology-focus) |
| Revision | Mode E · Writing-bottleneck assistance · Mode F · Draft revision (with revision-coach sub-mode) |
| Pre-submission | Mode G · Blind reading · Mode K · AI-use disclosure |
Plus a citation toolchain (scripts/): consistency checking, format conversion (Chicago / MLA / APA / GB7714), and reference verification against Crossref.
Three things generic AI writing tools do not handle for humanities:
1. Voice preservation is a core scholarly value, not stylistic decoration. In humanities, the author's voice carries epistemic weight: it signals which intellectual tradition the author writes from, which interlocutors they take seriously, which moves are theirs and which are borrowed. A paper polished into "standard academic English" loses this signal. This skill helps you write more like yourself, not less.
2. Argument and prose are inseparable. In empirical research, you can have a perfect experiment ruined by bad writing. In humanities, the writing IS the argument — a slack sentence, a vague concept, an unwarranted transition is an argumentative failure. This skill works at the level of argument-through-prose.
3. The reviewer is real and adversarial. Humanities reviewers are not gentle. A theoretical concept will be tested for sharpness; a historical claim will be tested for evidence; a philosophical argument will be tested for the strongest counter. This skill simulates that adversary internally so the paper meets it before submission.
You: 帮我看看这段。我在论福柯的全景敞视主义如何延伸到数字平台。
[skill reads the paragraph + your style profile]
Companion:
I notice three things, in order of priority.
🔴 Foundation: you're using "全景敞视" as a metaphor for platform
surveillance, but Foucault's original concept turns on architecture
producing a specific subject-position. Platforms produce a different
subject (data subject, not body in a cell). You may want to either
(a) name the analogy as analogy and discuss the difference, or
(b) borrow Zuboff's "instrumentarian power" which fits the data case
more cleanly. Which direction do you want to go?
🟡 Argument: paragraph 2 jumps from "platforms collect data" to "this
constitutes surveillance" without the middle step about visibility-
as-power. A friendly reader will not follow.
🟢 Voice: your style profile has "first-person with em-dash insertion."
Paragraph 3 starts with "本文认为…" which reads like cliché. Want to
restore the first-person?
You: 走方向 (b). 改吧。
[skill produces revision; you keep the version that sounds like you]
This is what "thinking partner, not polishing tool" means in practice.
Layer 1 · Foundation "Does this paper hold up scholarly?"
Layer 2 · Structure "How is the argument unfolding?"
Layer 3 · Paragraph "What is this paragraph doing?"
Layer 4 · Sentence "Is this sentence right? Well-said?"
Strict top-down rule: do not exert effort at lower layers while upper layers are unresolved.
Simulates three reviewers + one well-intentioned reader:
Anti-sycophancy hard rule: when the author pushes back on a challenge, the AI must see at least 2 of 5 substantive conditions met before conceding — prevents premature softening under emotional pressure.
Not just sentence preferences. Also:
Different chapter types get different critique strategies:
If your research itself involves human-AI collaboration (autoethnography of AI-assisted writing), the skill provides six categories of "reflexive moments":
🔄 Direction change · 🚫 Refusal · 🎭 Voice conflict · 🔧 Tool dependency · 💡 Unexpected insight · 🤖 AI-trace awareness
Scholarly basis (citable in your paper):
Borrowed from software engineering, in service of humanities writing:
_drafts/ = feature branch[VERIFY] / [待核对] hard marker: anti-citation-hallucination — cannot enter submission versionscripts/ provides three zero-dependency tools:
| Script | Purpose |
|---|---|
ai-trace-scan.sh | Scan clichés and transition pile-ups |
pending-checks.sh | Aggregate all [VERIFY] / [待核对] / ❓ to discuss / [AI DRAFT] markers |
citation-consistency.py | Citation-format consistency check (brackets / commas / connectors / EN/CN names / page numbers) |
This skill organizes humanities scholarship in a three-layer architecture, so the discipline-routing system can match where the author actually works — not just to one of a flat list of seven slots. Authors declare their discipline at onboarding (or the skill infers from the draft); routing then loads the matching layer.
These are the canonical L1 humanities disciplines. Each carries a core set of methodological concerns generic AI writing tools miss.
| L1 discipline | Object of study | Core methodological concerns |
|---|---|---|
| Literature · 文学 | Texts (poetry, fiction, drama, essay) | Close reading vs. interpretation · Genre awareness · Form-meaning fit · Intertextuality |
| History · 史学 | Past events, persons, societies | Anachronism · Counterfactual stress · Source handling (primary vs. secondary) · Causal-chain transparency · Historiographical positioning |
| Philosophy · 哲学 | Concepts, arguments, normative claims | Conceptual derivation · Argument form (formal vs. material) · Cross-theoretical transport cost · Steel-manning the strongest objection · Modal scope |
| Linguistics · 语言学 | Language structure and use | Data source (corpus vs. intuition vs. elicitation) · Form vs. function · Description vs. prescription · Cross-linguistic claim scope |
| Art studies · 艺术学 | Art works (painting, sculpture, music, film, architecture) | Description vs. interpretation (keep separate) · Provenance and materiality · Reception history · Medium-specific form analysis |
| Religious studies · 宗教学 | Religious traditions, texts, practices | Source-language rigor (original vs. translation) · Tradition position · Insider/outsider (emic vs. etic) · Comparative method |
Subfields inherit all the methodological concerns of their parent L1, plus any specific constraints the author declares at onboarding. Examples — many more possible:
| Parent L1 | Example subfields |
|---|---|
| Literature | Classical Chinese literature · Modern Chinese literature · Comparative literature · Literary theory · Literary criticism · Foreign-language literatures |
| History | Chinese history · World history · Economic history · Social history · Cultural history · Urban history · Periodized fields (Tang history, early modern Europe, etc.) |
| Philosophy | Chinese philosophy · Western philosophy (analytic vs. continental) · Ethics · Aesthetics · Political philosophy · Philosophy of science · Phenomenology |
| Linguistics | Historical linguistics · Sociolinguistics · Pragmatics · Typology · Discourse analysis |
| Art studies | Art history · Musicology · Film studies · Theatre studies · Architectural history |
| Religious studies | Christian studies · Buddhist studies · Daoist studies · Comparative religion |
If your subfield isn't listed, declare it at onboarding — it inherits from its parent L1 automatically.
These are humanities fields that explicitly draw from multiple L1s. The skill loads the methodological concerns of all parent L1s plus the L3-specific overlay.
| L3 field | Inherits from | L3-specific overlay |
|---|---|---|
| Cultural studies · 文化研究 | Literature + History + Sociology | Power/knowledge framing · Positionality · Generalization range |
| Classics · 古典学 | Literature + History + Philosophy + Religious studies + Archaeology | Textual criticism (manuscript tradition) · Philological rigor · Reception history |
| Intellectual history · 思想史 | History + Philosophy | Begriffsgeschichte vs. Cambridge School · Context vs. text · Avoiding presentism |
| History of science · 科学史 | History + Science + Philosophy | Internal vs. external history · Whig-history vigilance · Technical accuracy · Case-study calibration |
| Media studies · 媒介研究 | Literature + Cultural studies + Philosophy of technology | Medium-morphology · Reception studies · Tech-social co-construction |
| Digital humanities · 数字人文 | Any L1 + Computation | Data reproducibility · Tool transparency · Algorithmic bias · Methodological disclosure of computational choices |
| Gender studies · 性别研究 | Literature + History + Cultural studies | Gender ontology · Historicizing gender · Intersectionality |
| Postcolonial studies · 后殖民研究 | Literature + History + Cultural studies | Positionality · Translation politics · Resisting Eurocentrism |
| Environmental humanities · 环境人文 | Literature + History + Science | Anthropocene framing · Multi-species perspective · Scale problems (local vs. planetary) |
Some fields are formally classified as social science but include strong humanities-style sub-traditions (where prose IS the argument). This skill welcomes such work:
| Field | What we serve | What we don't serve |
|---|---|---|
| Communication studies · 传播学 (humanities-style) | Media ecology school (Innis / McLuhan / Postman / Carey); critical communication; humanities-aligned cultural-media research | Empirical/experimental communication research, content analysis as quantitative method |
| Educational research · 教育学 (humanities-style) | History of education · Philosophy of education · Curriculum theory in humanities mode · Critical pedagogy | Quantitative educational psychology · Empirical learning-outcomes research |
Inheritance: communication studies (humanities-style) ← Media studies + Philosophy + Cultural studies. Educational research (humanities-style) ← History + Philosophy + Cultural studies.
Tell the skill at onboarding:
The skill will infer your closest L1 + any relevant L3 overlays, write it to _writing-config/discipline.md, and proceed. You can refine the declaration anytime.
The full methodology rubric for each L1 / L3 entry lives in SKILL.md § Humanities Discipline-Specific Dimensions — this README table is the surface map; the skill carries the full rubric.
A real example of the four-layer critique in action. Author's draft paragraph (English translation of a Chinese-language thesis chapter on Stiegler):
Before. Stiegler's pharmakon concept shows that technology is both poison and remedy. AI is therefore a pharmakon as well. We must be careful in our use of AI, lest we fall into its negative effects. As Stiegler said, technology is a double-edged sword.
The skill's response, top-down, four layers:
🔴 Layer 1 · Foundation — Argument standing
The paragraph claims pharmakon = "double-edged sword." Stiegler explicitly
rejects this equivalence (WMLWL, p. 12): pharmakon is curative AND
destructive AT THE SAME TIME, not alternately, and the destructive force
is proportional to the curative one. "Double-edged sword" implies a
user-choice framing; pharmakon implies a structural condition that
precedes user choice. This is not nuance — it is the whole point of
borrowing the concept from Derrida.
Verdict: Foundation broken. Do not proceed to lower layers until fixed.
🟡 Layer 2 · Structure — Argument unfolding (deferred until L1 fixed)
🟢 Layer 3 · Paragraph (deferred)
⚪ Layer 4 · Sentence (deferred)
After the author rewrites the foundation, the same paragraph might become:
After. In Stiegler's framework — extended from Derrida's reading of Plato's Phaedrus — pharmakon names a structural condition rather than a moral choice: a technology's curative force is inseparable from and proportional to its destructive force (Stiegler, What Makes Life Worth Living, 2013, p. 12). For LLMs, this means the question is not "are we careful enough in our use?" — that frame presupposes a user fully outside the pharmakon. The question is: in what historical-organological configuration does the pharmakon's destructive face become structurally dominant? I argue, following Stiegler's reading of digital tertiary retention in Automatic Society (2017), that …
What changed: a clichéd "double-edged sword" framing replaced by Stiegler's actual conceptual move, a citation anchored at a verifiable page, and a forward-pointing thesis the next paragraph can develop. The skill did not write the rewrite — it identified that the foundation was wrong, named why, and refused to do sentence-level work until the foundation was repaired.
This is what "thinking partner, not polishing tool" means in practice.
git clone https://github.com/tizzy916/claude-skill-humanities-writing-companion.git \
~/.claude/skills/humanities-writing-companion
chmod +x ~/.claude/skills/humanities-writing-companion/scripts/*.sh
Or as a project-level skill (vault / project only):
git clone https://github.com/tizzy916/claude-skill-humanities-writing-companion.git \
./.claude/skills/humanities-writing-companion
Claude Code auto-scans ~/.claude/skills/ and ./.claude/skills/ on startup. After install, say "I'm working on a humanities paper" or any of the trigger phrases below.
SKILL.md can be loaded into your system prompt directly. The skill is plain text — no runtime dependencies.
English: "paper," "essay," "chapter," "dissertation," "argument," "thesis," "revise," "voice," "review my section," "stuck on writing," "devil's advocate," "reviewer attack"
Chinese: 论文 · 写作 · 润色 · 改论文 · 帮我看看这一章 · 我手写我口 · 这个论证有没有问题 · 我写不下去了 · 审稿人会怎么攻击
Even casual mentions trigger: "take a look at this paragraph" · 帮我看看这段话
Say to Claude: "I want to write a paper on X."
The skill enters onboarding: confirms citation format, target reader, existing writing samples, and initializes the project folder structure.
"Help me read this chapter" → Mode B (chapter review) → 4-tier feedback report
"Help me revise this paragraph" → Mode A (paragraph dialogue) → diagnose + suggest + reason
"I'm stuck" → Mode E (bottleneck) → 5 unblocking strategies
If your paper has been through AI polishing but you want to restore the original voice:
Mode F · draft revision → compare AI-polished vs. original → keep improvements + restore voice
| Tool | Their focus | Where this skill differs |
|---|---|---|
| Jenni AI | Real-time autocompletion + literature search | We do thought-dialogue, not autocompletion. Real-time prediction skips the cognitive work that humanities argument needs. |
| Paperpal | Academic language polishing (STEM/biomed-leaning) | We're a writing architecture (11 modes, 4-layer critique, discipline routing), not a point polishing tool. |
| Yomu AI | Sourcely literature engine + paragraph feedback | We assume the author manages literature (Zotero/Drive). Mode I helps organize what you've already read — never replaces the reading. |
| Thesify | Paper Digest + Purpose-Check | Mode G is inspired by Purpose-Check. We use it within a broader four-layer critique workflow plus reviewer calibration. |
| HyperWrite Devil's Advocate | Point-tool counter-argument generation | Mode D is a full devil's-advocate mode with 1–5 calibration, methodology-focus sub-mode, and a Concession Threshold (anti-sycophancy). |
| Grammarly / DeepL Write | Grammar / translation polishing | We never rewrite for "clarity" at the cost of voice. "My hand writes my voice" is a core principle, not optional. |
| Generic ChatGPT / Claude (no skill) | General-purpose chat | We carry persistent style profile, reader profile, revision log, four-layer critique, discipline routing, AI-trace checklist, and citation toolchain across sessions. |
humanities-writing-companion/
├── SKILL.md ← Main skill file (EN, ~1400 lines, 11 modes)
├── SKILL.zh.md ← Chinese mirror (中文版)
├── references/
│ ├── ai-trace-checklist.md ← AI-trace scan checklist (currently Chinese; EN translation TODO)
│ ├── project-management.md ← Project folder + version management
│ └── target-reader-profile-template.md ← Target reader profile template
├── scripts/ ← Engineering toolchain (zero deps)
│ ├── README.md ← Script usage
│ ├── ai-trace-scan.sh ← AI cliché scan (zsh)
│ ├── pending-checks.sh ← Pending marker aggregation (zsh)
│ ├── citation-consistency.py ← Citation format consistency (Python 3)
│ ├── citation-format-convert.py ← Chicago/MLA/APA/GB7714 converter (v4.0+)
│ └── citation-verify.py ← Crossref-based citation verification (v4.0+)
├── README.md ← This file
├── README.zh.md ← 中文 README
├── CHANGELOG.md ← Version history
├── LICENSE ← CC BY-NC 4.0
└── CITATION.cff ← Academic citation metadata
Bilingual status: SKILL.md and README are bilingual (EN + CN). references/ files and scripts/ comments are currently primarily Chinese; English translations are TODO. Both languages of trigger work either way (the description field in SKILL.md handles both).
Academic rigor and personal expression are not opposites. "Standard academic prose" usually means the death of individuality. The skill helps the author speak in their own voice rather than pressing their words into a prefabricated mold.
Revision priority:
Always top-down. Do not fuss with commas in a paragraph whose underlying argument is broken.
Borrows software engineering best practices (version management, unit tests, code review) in service of humanities writing. Engineering rigor does NOT mean turning the paper into code — it means every revision is traceable, argument quality is verifiable, the writing process is resumable, and problems are processed in layers.
If your research uses this skill, please cite it in the methodology section.
BibTeX:
@software{shen_humanities_writing_companion_2026,
author = {Shen, Cong},
title = {Humanities Writing Companion: A Claude Skill for Voice-Preserving Humanities Academic Writing},
year = {2026},
publisher = {Zenodo},
version = {4.1.1},
doi = {10.5281/zenodo.20280773},
url = {https://doi.org/10.5281/zenodo.20280773}
}
Plain-text attribution (for skill metadata, footers, etc.):
Based on Humanities Writing Companion by Shen Cong
https://github.com/tizzy916/claude-skill-humanities-writing-companion
See CITATION.cff for full machine-readable metadata (GitHub's "Cite this repository" button will use it automatically).
If you also use academic-research-skills in the same project, please cite both. ARS attribution format (per CC BY-NC 4.0):
Based on Academic Research Skills by Cheng-I Wu
https://github.com/Imbad0202/academic-research-skills
Issues and PRs welcome:
references/ filesSee CONTRIBUTING.md.
Shen Cong — BFA, Experimental Art, Central Academy of Fine Arts (CAFA); MA, History of Science, Tsinghua University (advisor: Hu Yilin); Founder & CEO of Tianyu Vision, a sci-art studio working on scientific visualization, science communication, and sci-art convergence.
This skill came out of writing the author's own MA thesis, Technical Liberalism. He noticed that almost every AI writing tool on the market pulled toward polishing and averaging — whereas humanities scholarship needs the opposite: protecting the author's scholarly voice, stress-testing argumentative rigor, and surviving adversarial peer review. So he built this skill — not to write for him, but to read for him, delivering at each of four layers (basic rigor / argument development / paragraph function / sentence-level expression) the kind of critique a real humanities scholar would actually give.
📮 GitHub @tizzy916 · shencong916@gmail.com · Corrections, collaboration, and conversation welcome.
CC BY-NC 4.0 (Creative Commons Attribution-NonCommercial 4.0 International) — free for non-commercial use, modification, and distribution. Requires attribution.
⚠️ License change (v3.0.0, 2026-05-19): This project relicensed from MIT to CC BY-NC 4.0. Versions ≤ v2.1.0 remain under MIT and retain their original commercial-use rights for those specific versions. From v3.0.0 onwards, commercial use is prohibited without a separate license.
This skill is licensed under CC BY-NC 4.0 — non-commercial use only (academic research, teaching, personal projects, open-source derivatives, internal research workflows).
For commercial licensing inquiries — embedding in a paid product, paid consulting or editing services using this skill, commercial SaaS integration, agency use on behalf of paying clients — contact the author for a commercial license:
📮 shencong916@gmail.com (Shen Cong · Tianyu Vision)
The author retains the right to grant commercial licenses on a case-by-case basis. Citing this skill in academic publications is always permitted regardless of license tier.
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